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Visit Hartong International for antiques, fine art and vintage items.  We sell unique handpicked items from both North America & Europe.  Every item we sell has been cleaned, preserved or carefully refurbished to retain originality.  We put an exceptional effort into offering items, which have been handled with a great deal of care.  At Hartong International, we have a passion for antiques, fine art & vintage items, so we only offer the best in service and go to great lengths in making sure you receive exactly what you see offered on our site.  Our attention to handling makes for a stress free shipping experience.  

We originally started our business in Kenilworth, Illinois.  In the spring of 2011, we moved the business to Massachusetts.  Indeed a wise move, as we have greater access to older antique furnishings, lovely original art and very interesting vintage items.  Along with the move, we expanded our business by acquiring a larger studio space, with more room for creating a complete collection.  We now have greater access to receiving shipments from Europe and all of New England to hunt for the items which our clients and customers desire.  

For a wider selection of our inventory, please visit our Etsy shop.  We put most of our smaller items on Etsy.  You will find many more vintage items within this shop.  

Coming soon to Hartong International, we will be partnered with Second Shout Out.  SSO is a New York City based site, dedicated to offering a vintage lifestyle, with anything from classic 1950s European cars to unique antique furnishings and vintage technology.  Please check the site often for updates.  It’s an exciting way to offer the best in taste and aesthetics from the past for modern living.

We sincerely look forward to serving you!

Please feel free to contact us, with any questions you may have.  If you happen to have a specific antique or vintage item you must have, but don’t see it on our site, email us with details. We frequent a lot of estate sales and have priceless contacts to other dealers in the USA and throughout Europe, so it’s likely we can find what you are looking for, if we don’t have it.  Our inventory is also much larger than what we have listed.  It’s taking us time to catalog and list every item.  Check our site often, as new acquisitions are listed every couple of weeks.

Email: inquire@hartonginternational.com, Tel. 847 630 3102, Site: www.hartonginternational.com

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Being familiar with the French landscape designer, Patric Blanc, I’ve seen Parisian office buildings covered in swaths of textured and colourful foliage. The garden designs seem to defy the laws of gravity. Not only can a building have grounded gardens, rooftop gardens, but also vertical gardens. Truly remarkable to see.

The concept of vertical gardens, grown on walls has been taken to all new environments. A South American rain forest has been recreated on the New York condo walls of Michael Riley. As a director of the New York Horticultural Society, Mr. Riley has plenty of experience with tropical specimens, but he wasn’t satisfied with traditional pots and containers. He built a complex infrastructure or irrigation, drainage, containment and lighting on the walls of a typical New York flat.  Brilliant!

Thanks to the New York Times, you can read more about this gravity defying indoor garden.

For more about gardens in Chicago, visit Watercolour Gardens.

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As a landscape designer, I often take scent into consideration in planning a garden. When designing scented cues, the emotional response to the visual stimuli is enhanced. Scent can make the experience more meaningful and memorable for the garden’s owner and guests, when used properly.

Scent is a very powerful tool. It serves as a means of communication in so many ways. An attraction between individuals. A memory. A way to manipulate consumers, as stores pump Oxytocin into ventilation systems to increase spending. Scent is not something we think about all the time but our subconscious minds are always aware of it.

The New York Times recently covered a symposium on scent as design.  It’s interesting to see what the scent experts are up to.

A Parsons Symposium on Scent as Design

By JOYCE WADLER                                                                                                                                                                                                                                                         Photo: Robert Wright for The New York Times
WE arrived late for “Headspace: On Scent as Design,” a symposium held March 26 in the auditorium at Parsons the New School for Design, and so missed the smell of birth being spritzed into the room.

Happily, we had another opportunity, because that scent, along with several others — including “being a baby,” “puberty,” “partnership,” “empty nest,” “sex” and “death” — were available for inhalation at a table outside the auditorium, most of them embedded in small plastic beads that visitors were invited to take.

“No one likes puberty,” Kim Fisher, the young woman at the table, said. “Everyone likes sex, but there are no beads for it.”

Being not quite product-ready is not uncommon when things are brainy and theoretical, and at Headspace — a conference presented by Parsons and the Museum of Modern Art, in partnership with International Flavors and Fragrances Inc., Coty and Seed magazine — they were extremely cerebral. Does your head ache after that list of sponsors? Imagine how you would have felt in the auditorium, where designers, perfumers and industry experts talked about “co-creation” and “facilitating dialogue with the consumer.”

“I see design going through filtering, clarifying, making things visible — how does that go towards defining your work as a designer?” a moderator asked in a morning session, making us ache for the scent “coffee.” Also, the auditorium was freezing.

Why is it so cold? we asked Jamer Hunt, the director of the new graduate program in transdisciplinary design at Parsons and one of the people who dreamed up the symposium, after we beat it to the outside foyer.

“There’s a special technology for diffusing,” Mr. Hunt said. “We need the back doors of the auditorium to be open so the scent flows through to everybody.”

For Headspace, Mr. Hunt explained, designers and architects like Toshiko Mori had been paired with perfumers to “design using scent — not just a fragrance, but something that would affect our everyday lives.”

Ms. Mori had been involved in creating a scent called “anti-gravity.” Marije Vogelzang, a Dutch designer, had made eating utensils imbued with the smells of foods that might be harmful to consume but are still nice to sniff. The urban designer Majora Carter had worked on scents that could be diffused through the ventilation system of an apartment complex in her neighborhood in the South Bronx.

Mr. Hunt also seemed proud of a student project called “Scent Clock,” a piece of cardboard listing six times of day. “If you scratch at each hour, there is a different smell associated with a different time of day,” he said. “Scratch the shiny spot.”

The reporter scratched an orange rectangle labeled “10 wake up” and smelled not much of anything.

“We wanted to make it a challenge and didn’t want it to be easy,” Mr. Hunt said. “It’s a combination of toothpaste and an alarm clock.”

The reporter inhaled again, smelling mint. That explained the toothpaste, but where was the alarm clock?

“There should be a slightly more plastic smell to it,” Mr. Hunt said. “Part of the challenge is what does an alarm clock smell like? I think it smells like electronics, which is a certain kind of burning smell, but there is also the metaphysical. An alarm clock wakes you up, so you want a smell that is very bright.”

The reporter moved on to the scent made by Ayse Birsel, who has designed pots and pans for Target and toilet seats for Toto. Ms. Birsel and her colleague Yoko Hiroshi, working with perfumers Celine Barel and Laurent Le Guernec, created a birth through death line. As Ms. Birsel conceived it, each scent would be contained in a large, smooth stone that would symbolize that moment in life. Since there was no time to imbue the stones with the scent, they were presented separately.

Ms. Birsel, who wore a black stone-like Japanese gourd around her neck and black fishnet stockings, had a half-dozen stones with her.

“What we wanted to do was give form and scent to threshold in life,” she said. “We wanted to create a very intimate form. The form of the pebble as something you can hold in your hand would symbolize a moment in your life, like a birth or a partnership.”

So those two halves of a stone that fit smoothly together — is that one “partnership”?

“This is sex, actually, the pebble as yin and yang, two perfect pieces that come together,” Ms. Birsel said. “Partnership is the whole stone. We decided puberty is about dichotomy, you have multiple personalities and a piece missing because you are not totally whole.”

What about the scent?

“We asked them to create a scent that is unbalanced, with too many hormones,” Ms. Birsel said. “We had them imbued in the little plastic pearls, because in the time frame we had we couldn’t inject them in the forms.”

We heard nobody likes the puberty scent, we told her.

“Well, nobody likes puberty, so it’s a successful smell,” she said. “That was the intention.”

Click for the original article.


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